The story behind ‘Pinkerton’ is one of the most notorious in rock history. I wont go into it now, you can read about it on wiki, but lets just say that this was a difficult album to make and it’s had a pretty mad reception history – at one point it was disliked by just about everybody but somehow it went on to become one of the most respected albums of the 90’s. The band once refused to play any material from it live but in a few months they are going on a tour where they will be playing it back to front night after night. They now realize just how influential and important this album was – for better or worse it is pretty much responsible for emo as we now know it.
But Weezer are far superior to most bands we would call emo today and ‘Pinkerton’ is a masterpiece in being both emotionally explosive and musically restrained at the same time. The lyrics are about being depressed, anxious, in love , out of love, having too much sex, not having enough sex etc – It’s the open diary of a teenager and that’s the main reason so many people related to this record back in the day. And whilst Rivers was all over the place making it, musically this is very tight and well constructed piece of work, riffs sound huge but they are delivered almost economically and the guitar work is never indulgent or over the top. Witness the frustration in ‘Getchoo’ and ‘Tired of Sex’ and the way Rivers articulates uncertainty of young love in ‘Falling for you’.
The highlight is the beautiful closer ‘Butterfly’ which is probably the best thing Weezer have ever recorded, the melody is sheer perfection and the lyrics are thoughtful and touching, the softness is in brilliant contrast with the pop punk of the other nine songs. ‘Butterfly’ does for ‘Pinkerton’ what ‘Only In Dreams’ did for The Blue Album, it makes you rethink everything you thought you had learned about the group from listening to the other songs, it is a stunning end to the record. Blow for blow ‘Pinkerton’ doesn’t quite match The Blue Album in my opinion, though others will disagree, but this is a really fun and intelligent rock album that has stood the test of time.
However I do think that some (nostalgic middle-aged) critics rate ‘Pinkerton’ a bit too highly because whilst I agree that it is a great album in 2010 it’s hard to believe that this kind of heartfelt power pop was once considered so daring and inspired. Maybe that is the testimony to just how succesful ‘Pinkerton’ was, we hear it’s influence every day on the radio and because of that it’s hard for a newcomer to like this album quite as much as somebody who heard it for the first time in 1996. It’s also more of a touchstone for American music fans than it is for English ones, Weezer have always been more loved over there than they are here, just as Oasis will never truly feel at home in the USA. So whilst Pitchfork and Rolling Stone greet this reissue with overwhelming praise allow me to be a bit more reserved.
Out on the same day as the ‘Pinkerton’ reissue is a collection of more recent studio outtakes called ‘Death to False Metal’. Given that most of Weezer’s post Pinkerton output has been negatively received it’s fair to say that not many people will be excited about this album. But truth is, it’s not as bad as you might expect. The Weezer of ‘Death to False Metal’ still sounds like the Weezer of ‘Pinkerton’, the guitars are still the same, the lyrical themes are pretty similar, they still make pop punk and overall not a lot has changed. But that’s kind of the point, they aren’t young anymore and to hear middle-aged men still churning out the same stuff that they were making at 18 is a bit sad.
I’m not being ageist but do they still have to write songs wanting to be young when they blatently aren’t? It seems as they get older they get less mature and there is none of the wit and sophistication that defined ‘Pinkerton’. The songs on ‘Death to False Metal’ are also a lot more polished and lazy than the ‘Pinkerton’ stuff, It’s been known for a while that Rivers has big pop aspirations and these songs have definitely been produced for the radio and a mass audience, they have been overproduced to an unfortunate degree and the lyrics are often clichéd and trite.
There are some good songs though, ‘I Don’t Want Your Loving’ is a belting rocker with some doo wop harmonies and Brian May guitar, it works very well. ‘Blowin my Stack’ is a typical latter-day Weezer song about growing middle-aged disgracefully, and like the other Weezer songs about this subject it’s kind of catchy but also a bit cringey. Their cover of ‘Unbreak My Heart’ is the highlight of the album for me, although I can see some people hating it, but then I have always enjoyed the group’s odd covers.
I like my B-side collections to be comprehensive and chronological, this is neither and the fact that it focuses on newer material is also a shame. If you are going to buy one Weezer album this christmas make sure it’s ‘Pinkerton’ and not ‘Death to False Metal’, fans will eat it up but there isn’t much good stuff to recommend it to everyone else.
Pinkerton – 9/10
Death to False Metal – 4.5/10