There have been some brilliant coming of age albums in recent years. My favourite would probably be M83’s fantastic ‘Saturdays = Youth’ but now it has a close competitor. ‘Teen Dream’ is Beach House’s third album and it plays with the themes of youth, regret and longing.
Beach House are on the same American and English labels as Fleet Foxes (sub pop and Bella Union), and they would be a familiar band to compare them to. Both share an interest in harmonies and brooding lyrics and both have a retro charm that also sounds very 21st century. I think there is something a bit deeper about Beach House though. Their music isn’t as pretty or catchy as Fleet Foxes – it is darker and more intense. In a way they also sound like a more accessable, more dreamy Grizzly Bear. There is an intimate sparseness to this record that is very reminiscent of both Grizzly Bear and also The XX. ‘Teen Dream is a much more traditional album than those two but it is no less interesting.
As I said at the beginning, I interpreted this album as being about longing and regret. Their lyrics are often annoyingly vague or cryptic but you just need to hear the vocals or the winding keyboard to understand the sense of loss on this record. ‘It’s incomplete without you…It’s happening again.’ We aren’t told what’s happening or what’s incomplete but it sounds pretty brilliant. And in fairness I suspect the band were after that dreamy, snapshot effect in their lyrics. The subject matter is personal and nostalgic – you pick up the pieces and and some will make sense to you, some you guess only make sense to the singer.
Beach House’s albums have always been a bit distant and nicely experimental. That’s still true of ‘Teen Dream’, but musically the sparseness has developed into a more straightforward and warm atmosphere. The album even sounds intimate to the point of being slightly claustrophobic, but all things considered it’s a lovely, comforting and very old fashioned type of record. ’10 Mile Stereo’ and ‘Real Love’ almost break down with emotion, it feels at times like the cheap drum machine won’t be able to hold the other instruments together, such is the power coming out of the speakers.
Enough can’t be said about the power of sequencing and post production. My Biggest complaint with Grizzly Bear was that the track listing was not consistent or cohesive enough. Here Beach House have made a much more concise and thought out record, that doesn’t quite reach the dizzy heights of ‘Veckatimest’ but does work better as a unified whole. ‘Zebera’ is a powerful opener that introduces the listener to the band’s trademark style, and this is followed by the more sombre ‘Silver Soul’ and then the familiar ‘Norway. The moments of darkness sit well next to the moments of light largely thanks to the track order and the consistent simplicity of the instruments.
‘Walk in the park’ is a real highlight. It is memorable for a repetitive organ cycle, a simple drum beat and some sadly nostalgic lyrics. There is a great warmth to both the sound and lyrics.On Norway the keyboard swirls and moans like it’s got seasickness – it adds to the otherworldly feel of the song. Eventually the album drifts away with the closer ‘Take Care’, the fade out is slow, you hear the end coming before it arrives. The whole album really does feel a bit like a dream, the music is out of focus and the meanings are just out of reach.
‘Are you not the same as you used to be?’ This is from the album’s standout track ‘Used to be’ and it sums up the record nicely. No they aren’t quite the same as they used to be, but this album isn’t a huge step away from their two other very solid albums. ‘Teen Dream’ is an album that works well if you listen to it at the right place, right time. It certainly isn’t an album for all tastes or moods but there is no faulting the band at what they do. This is the record that will take them to bigger and better things.
8.5/10